ALMATY/Kazakhstan, OCT. 1 2014 (The Conway Bulletin) — Kazakhstan is enjoying something of a renaissance in film-making but it’s not easy, as one young script-writer explained over tea.
Erlan Suluhan, 25, is one of many Kazakh students who received a scholarship from the US government to pursue their studies in the United States. Last year he returned from studying at the Academy of Art University in San Francisco. One of his projects was a short movie depicting the adventures of an older woman who gets lost inside her own building.
“I was trying to find the turning point between the formation of one’s identity and the crisis that inevitably emerges,” he said in an interview in a cafe in Almaty.
He poured himself another cup of tea from a porcelain pot.
“Looking at Kazakhstan through the prism of the development of single identities could spark questions that are silenced nowadays within the society,” Suluhan said.
His film, 18’21, was acclaimed at the Cannes Festival this year. In Kazakhstan it was shunned.
KazakhFilm, the state-owned agency refused to support him, because he carried out his project independently. The message the film carried, about individualism, may have rankled too.
Still, KazakhFilm has been enjoying some success over the past couple of years. Last year another film by a Kazakh writer won the second prize at the Berlin Film Festival.
Looking ahead to his next film, Suluhan was sanguine about the complexities of writing films about personal choice in a Kazakhstan where the government places more emphasis on conformity.
“I don’t want to get explicitly political, because I don’t want to tell the audience what to think,” he said. “Instead, I’m interested in poking, rousing, inducing people to reflect on themselves by showing the significance of minor everyday chores and their impact on the creation of the self.
ENDS
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(News report from Issue No. 202, published on Oct. 1 2014)